HS7

Original ones, yes. Mark II models, stay away from. I used to be the Mackie service agent for the state and the modern stuff is utter garbage, top to bottom. Stay away from KRK Rockit models too as they all succumb to failure due to corrosive glue, and poor thermal management. Yamaha HS7/HS8, Mackie

yine yarrak kurek cevaplar atmislar, dostum gel anlatayim. butceye gore mevzu cok degisir malum referans da kullaniyosun zaten. hatta tek mi yapacan cift mi yapacan o bile cok seyi degistiriyo ayni marka olsa dahi, ama biraz gundelik+referans kullaniyosun gibi anliyorum yazdigindan. ondan bi kac one

MTS-2026 da Tomate para inicial é uma boa. Se tu quer algo mais 'genético' e portátil, para churrasco ou algo do gênero, eu iria de Harman/Kardon Ônyx. Se tu quer o suco da nata sonora, eu acho que tua carteira vai chorar... Aí eu iria ali pelos Yamaha HS4 ou, quem sabe, os HS7 HS8... Dependendo do

I have a pair of Yamaha HS7 studio monitors, and they're great. Studio monitors, much like 2 or 3 way PA speakers are full range speakers so you can pretty much play any instrument in your toolbox through them. I have a Musicman Stingray 4 string, and it sounds especially great through my studio mon

I get what you’re saying about wired for pro use and Bluetooth for casual listening but I’d be surprised if any studio monitors have Bluetooth capability because the streaming’s compression is the opposite of the goal of studio monitors. If you want Bluetooth then you’ll probably end up with a list

Yamaha HS7 and HS8 active monitors use them - and they are one of the best cheapest HIFI speakers you can buy - I think Yamaha knows a thing or two about HIFI - so yes lm3886 amp is a great idea. As for that 60V mosfet by BJ - Im doubtful you can build it and not burn 10 mosfets in the process .

Hi, the Yamahas are very nice, but I would agree that the HS5's lack some bass. I bought that model mostly because of a) budget and b) small size of the room. On the most part I am happy with them. Someone else responded to provide some thoughts on using bigger ones and I have subsequently done some

Yamaha HS7, uzeo sam ih pošto se bavim muzičkom produkcijom, mogu da kažem da mi najviše prijaju od svih u tim rangu koje sam koristio. Imam ih ja msm oko 5 godine i nisu mrdnuli, a tresu kuću kolko su jaki

I upgraded from HS7 to the old Focal Alpha 65 (not the EVO) a couple years ago and I could not have been happier that I did. I can’t speak to the sound of the EVO but the OG Alpha 65 performs better in almost every way. Better highs, better lows, clearer midrange, more accurate transients. The only

I feel it may have come off more harsh than I had intended, so apologies for that. I don't mean to imply that there's anything wrong with those specific monitors, more so that I personally don't enjoy working with them. That said, the HS7s are actually pretty decent, and by far the best offering in