fp Mirrorless

The bigger sensor means lower readout speed so - a bunch of the video features perhaps not being there? What would make sense is the s9r. There's already the sigma fp-l as a proof of concept. And with ibis would be my perfect camera.

Yes you're right, but I'm mainly talking about modern movies. I 100% agree that 2k is enough, but you just won't find a lot of modern cameras that can do this in Raw whilst still offering s35 or larger. Again, sigma fp or bmcc og are your best bets. Maybe bmpcc og as well. I think going 4k and downs

Are fully stacked sensors also worse for DR? I didn't know that about partially stacked sensors. And can I ask where you found the actual DR numbers for the fp and ZR? I looked but the ZR seemed to be about video, and the fp seemed hearsay. And I'm going to try your - EV trick and see where it gets

Speaking as an fp owner, it really depends where you're coming at this from i.e. when you say 'beginner', is that to photography/videography in general or to cinema cameras, workflows, etc. If completely new to manual settings, exposure triangle, use of NDs, etc., let alone 'processing raw cDNG, col

ngl i'd lean Sigma FP here. the OG BMPCC is beloved but that old sensor and battery situation will frustrate you as a beginner. FP gives you full frame, great color science, and a modular path to grow into. the SSD recording is a lifesaver too. pick up a used FP body and a cheap 50mm lens to learn o

I think you’re missing the point though; grey means it is clipping so there is no data. If there was data then you’d be able to edit the color down to what you wanted. This isn’t B&W, your color perception/depth/feel changes drastically by how bright/dark it is, not just saturation. Film is a lot mo

Just realized something; are you manually choosing ISO or are you letting it pick auto ISO as well on aperture priority? I know you mentioned you cycled through a ton of different ISO options but you generally want to leave it on Auto ISO and let the camera take care of both ISO and shutter speed ad

Absolutely need and want full frame. I’m in low light environments more than anything else. I only recently got rid of my CL maybe 2 weeks ago. I had a great pocket setup with that and an adapted MS-Optus Appolloquia 28 2.8 / Steel Rim but more often than not I was struggling bc of light. I forget w

You do realize that most movies shown in cinema are recorded in 4k+? If you want raw, it kinda has to use the full resolution or use line skipping. That's why the pyxis doesn't have 2k unless you crop. Look into the data rates of BRAW 8:1 or 12:1 and see if these are better. I think they are compara