EOS R6 Mark II

Just about nothing anybody said in the replies is true. The image below was shot with a Canon R6 II and EF 100-400L II. ISO 3200, 1/5000th, f/5.6, 400mm, using the electronic shutter. It obviously works. I've shot some as low as 1/500th. Below 1/3200th you're going to get into some wing blur, but th

Here's a technical comparison https://www.rtings.com/camera/tools/compare/canon-eos-r6-mark-ii-vs-nikon-z-6iii/36079/51765?threshold=0.16 Photography wise they're both excellent and will come down to preference of what feels better in your hands and which UI you prefer If you have interest in video

I switched from a73 to r6ii. A73 was revolutionary at the time, but its been a long time since and Canon has caught up and new tech is noticably better. Sure you get more lens selection, but IMO, once you get the gear you like, you dont really use a variety of lenses Id rather take better noise redu

THE REGRET (huge lettering): Buying Canon R6 II for better AF, after two decades of Nikon....... Canon is plain terrible on too many details. Can't live without: Z8 + Plena. Everything I do, I do with that combo... When there is a wider need, I just grab Tamron 28-75mm G2.. Enough.

Shooting a basketball doc right now with the C400, C50, and the Komodo X sometimes. The C400 and C50 are magic together and I assume the c80 as well. The codecs are beefy, the image is instantly gorgeous, and the bodies are miles above the fx6/fx3 for flexibility. The canon cinema cameras let me sho

I personally went with the s1ii and having come from a canon r6ii I find the AF performance quite similar in real-world use, and the canon r6ii is an AF beast so that's quite the praise for the s1ii. It handles candid shots of moving subjects extremely well even in low light it holds focus very impr

I use Canon Mirrorless at work (R6ii) and shoot Nikon for myself for 10+ years. The canon is nice, for sure, better AF than the Mk 1 and 2 z6's, it can do 4k60 with almost no crop, very capable hybrid. Colors are pretty good, a bit cold overall. Lenses are nice, but the ecosystem is pretty locked of

I’m a professional theatre and Ballet shooter, my wide camera (24-70) has to stay at f/5.6 and as slow of a SS as needed to stop most of the motion so a minimum of 160. My iso lives on auto. My darkest plays can hit iso 25,600. On my 70-200 camera I’m allowed to shoot all the way down to f/2.8 and s

The only Fujifilm that comes close to what you have is the X-H2s, the only stacked sensor Fuji body. All other Fuji bodies have slow sensor read speeds, making them less than ideal for sports at a high frame rate. Of course you can shoot mechanical shutter, but that doesn't help the AF. The Fuji AF

Hate to say it, but Canon R6ii with a little prime lens and the new Godox IT30pro mini ETTL flash on the adjustable flash riser freaking rocks. I use it for fill and to trigger a big Godox V100 or AD200 off camera key light as needed. The RF 50mm F1.8 stm is as good as the EF 50mm F1.2L when you sto