Cinema Line FX30

Saying an fx3 let alone an fx30 delivers a better image than a ursa g2 is so far from reality. The Ursa has one of the best latitudes for a S35 sensor, build in ND's, RAW flexibility and overall a better user interface. The image quality outperforms both the fx3 and fx30 in lab tests. Media options

Investing in a lens will give you more than buying the FX3. A solid lens on the FX30 will give you amazzzzzingggggggg image. The FX3 is a champ In low light but unless you’re literally shooting a cactus in the desert you typically don’t need to worry about it. There are plenty of other full frame le

Don't know exactly if any other brands necessarily "match well" with Slog 3, but if i could make a recommendation I would tell you to consider investing in a Color Chart such as those from X-Rite or Datacolor. I bought a Datacolor SpyderCheckr a couple of years ago and it's AMAZING for getting a goo

For wedding photography I think you'd be better off keeping the FX30 as your A camera, especially if you rely on autofocus. The main advantage with the BMPCC 4K is the better flexibility for grading: I have an FX30 as well and while the footage is much more flexible than I feared (in terms of adjust

I have an FX3, FX30, A7V and A7IV and I’d say go for the A7V. A7V has better AF better, better Ibis, is cheaper, sharper image, allows you to import viewing luts, better screen, allows smart AF while in clear image zoom. 8000 base ISO is a lot more practical then 12,800 and having to ND or stop down

Thank you so much! The fx3 felt like way more than I needed and I did want to be able to do sports photos occasionally and I think this canon allows for it with its shutter speed and ability to take continuous shots? I was looking at the Sony a6700 but was very worried about overheating and wondered

If you're shooting the BMPCC 6K the more obvious parallel in the Sony world would be the FX 30, not the FX3. It's half the price of the FX3 but same form factor, it's just APS-C instead of full-frame. It has the same cinema features (shutter angle vs. shutter speed, Cine-EI exposure system for shoot

A cinema-line Sony body from the FX6 on up in my experience are only ever needed on jobs that eclipse a certain budget or that require the camera to have a certain 'look'. While that may sound silly it is usually the determining factor for me whether I bring a mirrorless-design cinema body vs a full

Yo! I would go a6700. Like you said: 10 bit color so grading is fun. It feels compact but not cheap or anything like that. It has the same sensor as the Fx30 from Sony's cinema line so the footage looks great. It is weather sealed, so while I would still be very careful with it - it's "supposed to"

I’m trying to decide between these cameras too, maybe the FX3 too if I find the right deal or can’t pull the trigger before an FX3 II drops and kills the used price of the FX3. Because that’s another thing you have to think about when buying an FX3 in 2026: it might soon be replaced, maybe – or mayb