Cinema Line FX30

An S1ii costs less than an FX3 and outperforms it. If I didn't have Sony glass I'd take that over an FX3 or FX30 any day (I'm still shooting Sony with over 1k paid gigs done on an a7siii/FX3 so not a Panasonic shill, just being objective)

Saying an fx3 let alone an fx30 delivers a better image than a ursa g2 is so far from reality. The Ursa has one of the best latitudes for a S35 sensor, build in ND's, RAW flexibility and overall a better user interface. The image quality outperforms both the fx3 and fx30 in lab tests. Media options

Same issue on FX3, FX30, Burano... Sony doesn't want you to use anamorphic unless you're using a Venice and paying them a license for anamorphic firmware. There are other quirks you might encounter shooting anamorphics on Sony bodies, but don't expect them to fix them

So as someone who’s owned the A7iii, A7iv & Fx30; as well as I currently own the A7S iii, Fx3 & I just picked up the Fx2 I would say the Fx2 is a really good starter. It’s essentially an A7iv or A7C ii in a cinema line body. Truthfully I don’t shoot 4k 120 often and I do a lot of commercial and docu

Well...I'd buy insurance too if you do. I picked up a used FX-30 (not the same, I know) and within a month all the physical buttons died. I could control the camera from the app, but no amount of software reset, new cards, or anything else would fix it. Sony was suggesting I send it to them. I just

Speaking from my own experience, I can tell you that the Sony FX30 is absolutely worth it in 2026—and rest assured, it will remain worth it for a very, very long time to come. To address the commentary currently being generated regarding the feature sets of cameras from other manufacturers—such as P

Hey, I’m on fx30 with a rig and audio equipment invested into the ecosystem at this point too— first off congrats for looking into the fx line. They really are special cameras and you can’t go wrong with any of them. First off I’ll explain that s-cinetone is actually just a picture profile preset, w

For wedding photography I think you'd be better off keeping the FX30 as your A camera, especially if you rely on autofocus. The main advantage with the BMPCC 4K is the better flexibility for grading: I have an FX30 as well and while the footage is much more flexible than I feared (in terms of adjust

How important low-light shooting is for your work? I used the FX30 for about 3 years and recently switched to the FX2. If you’re considering upgrading, one benefit I didn’t expect was the added flexibility. I mostly shoot travel/documentary-style work, so I didn’t really need full frame or the cooli

Investing in a lens will give you more than buying the FX3. A solid lens on the FX30 will give you amazzzzzingggggggg image. The FX3 is a champ In low light but unless you’re literally shooting a cactus in the desert you typically don’t need to worry about it. There are plenty of other full frame le